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Three Men In A Boat and the art of cutaways!

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I recently picked up Three Men In A Boat (To Say Nothing Of The Dog) for a re-reading, as a way to kick-start my 52 weeks project in 2019. It had been a while since I first read the book, and I had vague memories of the plot, settings etc. What I did remember pretty vividly were the fits of laughter I had to endure at different times when reading it for the first time. So I was more than happy to give it a second go, and I have not been disappointed at all. But that’s not why we’re here. The book is well recognized as one of the most humorous accounts ever written, and I have nothing much to add there besides my wholehearted agreement and endorsement. I wanted to talk a little bit about how the author uses cutaways in his narration to great effect. This isn’t something I remember noticing the first time around, and I was surprised to realize how much more I enjoyed the book because of this narrative style. About the word ‘cutaways’ - I’ve only ever seen it used in context of motion pi

The 52 Weeks Project

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A few years ago I tried this thing where I read a book a week (roughly) for 30 weeks, and then tried to share my thoughts on the book once done. Trying something similar again this year, only for longer. Starting on January 2 to avoid the curse that dooms all new year resolutions ;-) To start with, I am re-reading a book that I absolutely loved the first time I read it - Three Men In A Boat by Jerome K Jerome (to say nothing of the dog of course). Here's hoping I don't laugh too hard in public spaces!

On Brooklyn

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Brooklyn is a simple story, yet it’s about many things. It’s about a young girl finding her way in the world, with an interesting mix of independence and overarching influence of her family. It’s about life as an immigrant, looking for the comfort-inducing doses of familiarity while navigating all that’s new and scary. It’s about love, and how it shapes our choices. It’s about conflicts, and our tendency to stay in our comfort zones. And most of all, it’s about the longing for home. Most people can identify with homesickness. You don’t need to be separated by oceans for the feeling to show its face, though being so certainly moves things along. This feeling is what the story is about predominantly, everything else plays second fiddle. It’s interesting that the author chose to name it Brooklyn, since that just happens to be the place Eilis (the protagonist) moves to. It doesn’t really play a traditional titular role in the scheme of things, its biggest contribution being that i

Thoughts on 'Udta Punjab' (उड़ता पंजाब)

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Spoilers below. I couldn't find a way to say what I wanted to without going into plot points. If you're just looking for a recommendation, I think this is one to watch. Image Credit, IMDB There’s something to be said about timing. When it clicks in a movie, payback to the viewer cannot be quantified. The placement of the song ‘Ik Kudi’ in ‘Udta Punjab’ is one such instance of impeccable timing, it makes you stop and take notice. It’s almost as if the director was cocky enough to realize you’d stop and notice, and he made the bedridden crook as well as the door-banging cops stop and savor the moment too. Only when the singing stops do the cops come to their senses, and resume their attempts to capture Tommy (Shahid). The first few minutes of the movie do really well to pull you in. There’s a nod to the filmy  Punjab as we start from lush fields, but we soon realize that these are not the same fields where a Raj would be waiting, arms extended, for his Simran. From se

Of Sadness, and Wilderpeople

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Unplanned movie nights are the best, and spending those on gems such as Hunt for the Wilderpeople is the icing on the cake! The film has been much acclaimed , and is definitely one you should take time out for. On display are amazing scenic view of New Zealand, humour from unexpected quarters, strong performances from the cast - especially Sam Neill (Uncle Hec) and Julian Dennison (Ricky) - subtle dose of emotions, and lots of drama! Hec and Ricky, an illustration by Senne Trip. Image Credit Facebook ( Some Spoilers Below. ) What stood out for me, however, was how it handled sadness. We all have our ways of dealing with life’s sad events. People often show their most unexpected sides when dealing with sadness, and that’s what happens here to Hec. Sam Neill underplays the character brilliantly, and also shines when Hec gets demonstrative about his feelings.  He bawls like a child when he discovers Bella (portrayed lovingly in the short role by Rima Te Wiata) is dead

Of Trains and Food, and Childhood

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I recently came across this NPR piece by Charukesi Ramadurai , that talks of - among other things - the vanishing food culture on Indian Railways. It struck a chord instantly! I felt she was describing my own childhood, changing the names of the dishes we ate, and the places we traveled to. For us, the most frequent trip was the 10 hour or so journey to our paternal & maternal villages (which were in close proximity), that started early morning and sometimes lasted through the day, just because. The unreliability of arrival time - that was built into the plan - meant my parents had to ensure enough supply for three meals for all of us. Us were 2 adults and 5 kids, and the invariable aunt/uncle who’d accompany us somehow on most of these trips. Poori and Aloo-Bhajji was my mother’s go-to item. Packing food overnight was a no-no not only because she just wouldn’t have it, but also because we couldn’t really rely on the power supply and the steady operation

On 'The Basement Room'...

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Graham Greene is one of the authors that I’ve read surprisingly little of. I know of the man, but there is no recollection of his work in my memories. I was looking forward to reading his work, and decided to start with a collection of short stories by him that I chanced upon. The book is called The Basement Room And Other Short Stories , and I started with the first story in the book, ‘The Basement Room’. Regardless of what other works of Graham Greene I’d be getting my hands on, it’s pretty amazing to start with such a great work of his. I had no idea what to expect, from this story or from his works in general - and my experience was better for it! The ‘plot’ is simple enough, and isn’t something I’m gonna dwell much over. A small kid, who’s between nurses, is left in the care of the butler and his wife (also an employee of the house) while his parents travel. To me this is a story about his being drawn into the adult world reluctantly - through gradual escalations